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First tagged by Pyro27
Customer tags: lens cap(5), lens cap keeper(5), lens cap holder(4), lens cap strap(3), lens accessory(3), lens accessories(2), t1i, 500d
ButterflyPhoto has Offered Top quality products for all digital cameras for over 15 years.
Product Description
Kit Includes:
♦ 1) Zeikos - New Vertical Battery Grip For Canon XSI XS 450D T1i BG-E5
♦ 2) Vidpro - (Qty. 4) Hi-Capacity Lithium Ion Battery For Canon SLR - LP-E5
♦ 3) Vidpro - Ac/Dc Rapid Travel Charger For Canon LP-E5
♦ 4) Zeikos - Deluxe Universal 5" LCD Screen Protectors
♦ 5) ButterflyPhoto - ButterflyPhoto Micro Fiber Cleaning Cloth
♦ 6) Zeikos - ZE-LCH1 Lens Cap Keeper - Never lose your cap again!
♦ 7) Zeikos - Zeikos ZE-RS60 Remote Switch for Canon
The Vertical Grip/Battery Holder holds up to 2 LP-E5 battery packs simultaneously to effectively double your shooting power, plus the grip includes a holder to use six AA batteries. In addition, the grip includes a vertical shutter release and a mode wheel to provide access to all of the camera functions and make shooting with the camera in a vertical position just as comfortable as shooting horizontally.
Read moreProduct Description
Kit Includes:
♦ 1) Zeikos - New Vertical Battery Grip For Canon XSI XS 450D T1i BG-E5
♦ 2) Zeikos - Zeikos 3pc Lens Cleaning Kit
• Professional High Quality Battery Grip
• Effectively Doubling Your Shooting Time
• Holds 2 LP-E5 Lithium-Ion Rechargeable Batteries
• Vertical Firing Release With Lock
• AA Cartridge Plate Holds 6AA Batteries
• Dramatically Improves Stability
Product Description
Kit Includes:
♦ 1) Zeikos - New Vertical Battery Grip For Canon XSI XS 450D T1i BG-E5
♦ 2) Vidpro - Hi-Capacity Lithium Ion Battery For Canon SLR - LP-E5
♦ 3) ButterflyPhoto - ButterflyPhoto Micro Fiber Cleaning Cloth
The professional-grade digital camera grip set a new standard for long-lasting portable power. The Power Grip made specifically for the Canon Digital Rebel XSi 450D XS 1000D Digital , allowing serious photographers to increase the shooting capacity of their digital SLR cameras.
The Power Grip is both powerful and versatile. Extend the amount of shots that these SLR cameras can take on a single charge, It retains the tripod mounting thread as well, keeping the important ability to stabilize the camera during critical shoots.
Features
The Battery Grip Includes An AA Adapter Magazine That Allows You Place 6 AA Batteries For Extended Shooting Time
It Also Holds 2 Canon LP-E5 Batteries For Twice The Power
Grip mounts Through The Camera's Battery Compartment And Screws Into The Camera Bottom Tripod Mount
Vertical shutter release button
Specifications
Includes 2 LP-EP Batteries 1500MAH Each
Holds two LP-E5 batteries
AA Adapter plate holds 6 AA NIMH batteries
Provides extended shooting time
Improves stability
Tripod mount
Easy to use
Weather Resistant
Sleek and Lightweight
Made for excessive use
Includes adapter plate that holds 6 AA batteries
ButterflyPhoto has Offered Top quality products for all digital cameras for over 15 years.
Product Description
Kit Includes:
♦ 1) Zeikos - New Vertical Battery Grip For Canon XSI XS 450D T1i BG-E5
♦ 2) Vidpro - (Qty. 4) Hi-Capacity Lithium Ion Battery For Canon SLR - LP-E5
♦ 3) Zeikos - Deluxe Universal 5" LCD Screen Protectors
♦ 4) ButterflyPhoto - ButterflyPhoto Micro Fiber Cleaning Cloth
♦ 5) Zeikos - ZE-LCH1 Lens Cap Keeper - Never lose your cap again!
♦ 6) Zeikos - Zeikos ZE-RS60 Remote Switch for Canon
The Vertical Grip/Battery Holder holds up to 2 LP-E5 battery packs simultaneously to effectively double your shooting power, plus the grip includes a holder to use six AA batteries. In addition, the grip includes a vertical shutter release and a mode wheel to provide access to all of the camera functions and make shooting with the camera in a vertical position just as comfortable as shooting horizontally.
Read moreOpteka is proud to be allowed to use the same factory and mold as Canon uses for their BG-E5. Opteka is one of the world's leading producers of high-performance batteries and accessories. Opteka believes there is no limit to the potential of portable power, and as a company they will always strive to find innovative and efficient ways to power your life in the future! The Opteka BG-RXS holds 6 AA Batteries or 2 LP-E5 batteries. This provides a extremely extended shooting time. The vertical shutter release also makes shooting with the camera in a vertical position just as comfortable as shooting horizontally. Compatible with the Canon Digital Rebel XS, XSi, and T1i (450D, 500D & 1000D) SLR's only. This package includes 2 LP-E5 Batteries for Maximum shooting time. Read more
Lithium Ion rechargeable battery for Canon Digital Rebel XS and XSi Cameras. Provides up to 600 shots per charge without flash usage at room temperature, or 500 shots per charge with 50% flash usage.Battery Specifications: Type - Rechargeable lithium ion battery Rated voltage Read more
Through easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Canon EOS Digital Rebel T1i/500D. This is not your typical camera guide: rather than just show you what all the buttons do, it teaches you how to use the Digital Rebel's features to make great photographs -- including professional-looking images of people, landscapes, action shots, close-ups, night shots, HD video, and more.
With Ben Long's creative tips and technical advice, you have the perfect, camera-bag-friendly reference that will help you capture stunning pictures anywhere, anytime. The Canon EOS Digital Rebel T1i/500D Companion will show you how to:
Tips for Using Exposure Compensation to Over- or Underexpose
By Ben Long
| These days, almost all cameras have an Exposure Compensation control, which simply lets you make a relative exposure change. That is, you can tell the camera, "I don't care how you metered the scene; I just want you to go up from there by one stop." Try using exposure compensation now: 1. Frame a shot. 2. Press the shutter button down halfway to meter your scene (the camera will also autofocus and take a white balance reading). 3. After the camera beeps, the viewfinder and status LCD will show you the shutter speed and aperture settings that it has calculated. 4. Take the shot. 5. Now frame the same shot, and again press the shutter button halfway down to meter the scene. 6. Using your thumb, press the Exposure Compensation button on the back of the camera. Dial in a specific amount of over- or underexposure. |
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| 7. Rotate the Main dial until the Exposure Compensation display in the view- finder indicates a one-stop overexposure. (If you haven't changed the camera's defaults, then this will be three clicks on the dial.) 8. Take the shot. The Exposure Compensation display highlights. Turn the Main dial to increase (brighten) or decrease (darken) the setting. |
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| Food For Thought: What's Wrong With Over- or Underexposing? Of course, once you start tinkering with the camera's carefully concocted exposure settings, you run the risk of over- or underexposing your scene to the point where bright things blow out to complete white or where dark shadows fall to complete black. When an area in your image goes to all white or all black, it becomes an area with no detail. Detail in a photo is constructed from contrasting tones, and when part of an image is one color, it looks like a flat surface. In the case of shadows, this isn't so bad. A black shadow simply looks like an area that's too dark to see. Unless there's some detail in the shadowy area that you really want to keep visible, letting a shadow darken is not too terrible. Overexposed highlights, though, are almost always distracting. An area of complete white acts like a magnet for the viewer's eye and can sometimes upstage your subject. However, at times it's worth overexposing a highlight to get better tonality on your subject. Also, a little bit of overexposed bright spots—small bits of chrome on a car, for example—won't necessarily be noticeable. While there are no hard and fast rules about how much over- or underexposure is too much (and many times, overexposing an image can be an effective stylistic choice), it's important to understand the risk and make an intelligent decision. Now go into playback mode and look at the two images. The second one should be much brighter than the first one. This is the image that was over exposed. Note that you didn't tell the camera a specific shutter speed or aperture. Instead, you simply told it to go up one stop from whatever it thought was the correct exposure. The T1i has an exposure compensation range of -2 stops to +2 stops. By default, the control moves in 1/3-stop increments. When you use exposure compensation, you don't actually know exactly how the camera will achieve its over- or underexposure, but the camera does follow a predictable method. It will always try to achieve its change in a way that doesn't involve a shutter speed that might be too slow for handheld use. Remember, a slower shutter speed means that the shutter is open longer, which means that your images are more susceptible to the blurring and softening caused by shakiness in your hand. If you have the ISO set to Auto, the T1i will often effect the change by altering the ISO setting, but it will never do this to the point of introducing noise into your image. Because there's no visible difference between ISO 100 and 400, the T1i has two stops of ISO latitude to play with, meaning it will often keep the shutter speed and aperture the same as you change exposure compensation. |